Try the following lesson with Pianobaron. For piano players with low levels of exposure, try the following practice technique instead:
Open Piano: Open the Piano Bar, select the instrument you’d like to play the first time you press your finger. Choose a tempo that’s appropriate for the instrument (usually between 8-16 beats per bar). Press and hold your finger down for a second, and select either “Next” or “Backward”. Use your first finger to move up the keyboard until you reach the desired beat on the left-hand side of the bar. Hold down your second finger on the back of your first hand for the same duration of time as you moved up the keyboard. Repeat on the other side of the keyboard. When you reach a beat that’s the same as the beat you just pressed down, release your first and second fingers, and immediately start to press down the rest of your first finger in the same manner, just as if you were pushing a button.
What do you do when an instrument sounds too bright, or you find certain instruments too loud, and then suddenly your hands start to ache?
When you hear or feel an instrument that sounds too bright to play, or something that would be too loud, this is one of the main triggers of pianobonos’ “dead hands.” Try closing your eyes, and keeping your hands relaxed. After a few minutes, your hands should feel relaxed and your hands will be almost like they’re not there (this is called “musically relaxed posture”). After several more minutes you can sometimes move the hands up and down, but after two to five minutes you should also move the hands into a neutral position. Keep the hands in this neutral position for another five minutes or so, and then you’re ready.
When can I hold my breath?
If you have a really tough time with pianobonos, and/or you get “dead hands,” you can practice making a “sigh,” as demonstrated by the artist Léon Schönberg. This is a very simple technique. First lay your arms out sideways, and take your left hand with your right, keeping your ears and nose close to the piano and the sides of the instrument. Make each contraction with your left fist, and make each contraction with your right fist. Take as long as you need to feel the piano, but don’t pause for any reason. This technique is really useful if you’re having trouble, or if you’d
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